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Showing posts with label Temples. Show all posts
Showing posts with label Temples. Show all posts

Love Locks - The Symbol of Love Luck (12 pics)

Locks of Love
It seems that locks aren’t just simply used to keep property secure from theft and vandalism any more. For decades now a custom has slowly been creeping across the world whereby loving, romantic, and sometimes superstitious couples have decided to write messages on padlocks, attach them to certain landmarks in specific areas - more often than not railings and fences - and then throw away the key. The practice, as well as symbolising a couple’s unending love for each other, is in some countries thought to bring good luck to a relationship. Below are some amazing examples.

Cologne, Germany — The 406 metre Hohenzollern Bridge in Cologne; a structure that has been slowly covered in padlocks since the romantic trend reached the city in 2008, much to the annoyance of local government.

Prague, Czech Republic — A small pedestrian bridge that crosses the Vlatva river in Prague, covered in padlocks.

Pecs, Hungary — The famous lock fence of Pécs in Hungary, where the practice is thought to have begun, in Europe at least, back in the 1980s. Area officials were quickly forced to designate this particular spot ‘love lock friendly’ in a bid to curb the rampant placement of lock in other areas when the trend took off.

Moscow, Russia — The unique love lock trees of Moscow, found on the city’s Luzhkov Bridge. The majority of these locks are placed by newlyweds, as the practice is thought to bring good luck.

Seoul, South Korea — Literally thousands of lovers’ locks can be seen attached to the fencing that surrounds Mt. Namsan’s N Seoul Tower in Central Seoul. There even exists a special bin in which to place keys following the accumulation of hundreds around the fence.

Korakuen, Japan — A colourful wall of locks, all attached by couples, can be found in an amusement park in Korakuen, Japan. Korakuen is one of the Three Great Gardens of Japan, and is located in Tokyo.

Wroclaw, Poland — A stunning view of Tumski Bridge in the Polish city of Wroclaw. The bridge has recently become a love-lock-laden site.

Montevideo, Uruguay — A fountain in Montevideo, Uruguay. Attached is a plaque which reads,”The legend of this young fountain tells us that if a lock with the initials of two people in love is placed in it, they will return together to the fountain and their love will be forever locked.”

Guam, USA — The love-locks of Puntan dos Amantes (Two Lovers’ Point) in Guam, a picturesque and incredibly romantic spot that overlooks the ocean.

Rome, Italy — The famous padlock-covered lamppost of The Milvian Bridge in Rome, Italy. Since 2006, lovers have attached initialled locks to the post and then thrown the keys into the Tiber river as a sign of their love.

Huangshan, China — Just one of the many chain fences of Yellow Mountain in China; nearly all of which have been slowly covered in love-locks by romantic locals and tourists alike – particularly newlyweds.

Odessa, Ukraine — Over the past few years Teshin Bridge in Odessa has become home to hundreds of lovers’ locks. For the curious, ‘Teshin’ translates as ‘Mother-in-Law’.

Hindu New Year

Today, March 27, 2009, with the first rays of the Sun, we begin the Hindu Lunar New Year. Hindu Lunar New Year occurs on the first day of the waxing moon of the month of Chaitra (Chaitra Shukla Pratipada), when the Sun is in sidereal constellation Pisces (Meena Rashi) between March 14 and April 14.

According to the Vikram Samvat era popular in northern India, today we begin the year 2066 and the name of the year is Shubhakrita (शुभकृत). According to the Shalivahana Shaka era popular in southern India, today we begin the year 1931 and the name of the year is Virodhi (विरोधी). Per the Kaliyuga year count, we begin the year 5111 as of today.

The associated Hindu Solar New Year, which begins when the Sun enters the sidereal constellation Aries (Mesha Rashi), will be celebrated on April 14, 2009.

We commence this new year with an excerpt from a famous Yajurvedic prayer. This prayer is particularly apt for beginning the new year because it is essentially a prayer for peace, friendship, serenity, prosperity and longevity. It asks that peace be firmly established within us, that we look upon all as friends, that our enemies (those that fight us from within) be destroyed, and that we receive light (of realization). May we live a hundred autumns (years), the prayer asks, a blissful, rich, full, long life. There is perhaps no better message for beginning a new year.
नव संवत्सर की हार्दिंक शुभकामनाएं.

-----
Yajurvedic Prayer
The peace in the sky, the peace in the mid-air,
The peace on the earth, the peace in waters,
The peace in plants, the peace in forest trees,
The peace in all Devās, the peace in Brahman,
The peace in all things, the peace in peace,--
May that peace come to me!

Strong One, make me strong.
May all beings with the eye of friend!
May I look on all beings with the eye of friend!
May we look on one another with the eye of friend!

Strong One, make me strong!
May I live long to look on Thee!
May I live long to look on Thee!

Welcome to Thy wrath and to Thy glow!
Our welcome to be Thy flame!
Let Thy missiles burn our enemies.
Be our Purifier, be graceful to us!

Welcome to the lightning, welcome to the thunder,
Homage to Thee, glorious Lord, who winnest us heavenly light.

Make us free from the fear of all that Thou wishest;
Give bliss to our children, security to our animals.

Friendly be to us waters and plants,
And unfriendly be they to him
Who is hostile to us and to whom we are hostile.

That Eye of the sky, divinely placed, rising bright before us,
May we see for a hundred autumns!
And may we live for a hundred autumns,
May we hear for a hundred autumns,
May we speak for a hundred autumns,
And may we hold our heads high for a hundred autumns,
Yes, even more than a hundred autumns.

Holy Shukla Yajurveda Samhita XXXVI:17-24.
Trans. R. L. Kashyap


Aum Namah Shivaya.

The Story of Markandeya

Once upon a time, there lived a sage called Mrikandu with his wife Marudvati. Both were devotees of Shiva. The couple was childless, and so decided to perform austerities so they would be blessed with a child. Then one day, Shiva appeared before them. Shiva asked the couple if they desired an ordinary son who would live a long life, or an exceptional son who would live a short life. The couple asked for the latter.

In due course, Marudvati gave birth to a boy and the child was named Markandeya (literally: son of Mrikandu). Markandeya was an exceptionally gifted child, and became an accomplished sage early in his childhood. He was especially devoted to Shiva, and had mastered the Mahamrityunjaya Mantra. At the age of sixteen, his time on this earth had come to an end, and so Yama, death personified, came to take him away. At the time, Markandeya was in a temple worshipping the icon of Shiva (Shiva Lingam). When he saw Yama, out of fright, Markandeya grabbed a hold of the Shiva Lingam and asked Lord Shiva to protect him. Yama threw his noose around the boy-sage, which encircled the Shiva Lingam too..

Suddenly, the Shiva Lingam burst open with a thundering roar and a majestic, fiery form of Shiva appeared out of the blazing light. Enraged that Yama should have the audacity to encircle the Shiva Lingam with his noose, Shiva struck down Kala (Yama is also called Kala, time, since time brings death to all things) with His trident, and Kala was no more. Markandeya was spared from death. Shiva blessed Markandeya with eternal life and proclaimed that he shall forever remain a sixteen-year-old sage. The assembly of Devas who had witnessed the spectacle begged Shiva to revive Yama, as a world without death would put unnecessary burden on the earth. Shiva then revived Yama, and declared that His devotees were forever to be spared from the noose of Yama.

Since that day, the fiery form of Shiva that appeared to save the boy-sage Markandeya is called Kalasamhara Murti (or Kalari; see: Forms of Shiva or Forms of Shiva II).

Meaning of the story
The story as narrated above comes to us from the Skanda Purana. There are other versions of the story that differ in details, but our concern here is to understand what we are being told in this beautiful tale. What does it mean for Markandeya to be saved by Shiva and for Shiva to destroy Kala?
For Markandeya to be saved by Shiva means that Shiva's Anugraha Shakti had descended upon the boy-sage. Markandeya had at a young age attained enlightenment and become a jivan-mukta. He was no more bound by time (kala) or death. He had broken through the cycle of birth and death. Verily, Markandeya had gained oneness with Lord Mrityunjaya and conquered death itself..
For Shiva to destroy Yama and become angry that Yama should have the audacity to encircle the Lingam indicates that Shiva is beyond death and time. He is the Eternal Lord. He is the Ruler of time (Mahakaleshvara); He is the Originator of time (Mahakala) and Destroyer of time (Kalari or Kalasamhara Murti). Time in the story is represented by Yama since time brings death and dissolution to all things, but Shiva brings death to time itself. So, He is called Mahakalakala or Mahakalabhairava. When all things decay, Shiva alone remains. As He alone is beyond death and time, Shiva is called Maha Mrityunjaya, the great Conquerer of Death.
The moral of the story is that we, like the boy-sage Markandeya, should also pray and meditate on Shiva-Mrityunjaya, for He alone can take us unto the state beyond the cycles of samsara:
aum mṛtyuñjaya mahādeva trāhi māṁ śaraṇāgatam |
janmamṛtyujarāvyādhi pīḍitaṁ karmabandhanaiḥ ||
Aum, O Great Lord Mṛtyuñjaya, I take refuge in You, pray protect me;
And relieve me of the painful experiences of birth, death, old-age and disease.
Aum Kalasamhara-Murtaye Namah.

Agnideva © 2008. All rights reserved.

Dakshinamurti and the Dakshinamurtis

Dakshinamurti and the Dakshinamurtis
Dakshinamurti is a term often met with in Shaivism and Shaivite iconography. Generally, the term Dakshinamurti is translated loosely as "the One facing south," but a more apt translation would be "Favorable Form." The term originally referred to the southern benevolent face of the Panchamukha (five-faced) Shiva Lingam. At the temple of Pashupatinath in Nepal, for example, the southern face of the Shiva Lingam is still called Dakshinamurti. Alternatively, any Linga icon facing southward may also be called Dakshinamurti. An example of this is the Mahakala Jyotirlingam in Ujjain.

Apart from these above rare usages, the term Dakshinamurti, now, is generally associated with specific anthropomorphic forms of Lord Shiva. In the Shaivite tradition, Dakshinamurti is not a singular iconographic form, but a class of forms, all of which are yoga murtis, wherein Shakti is not separately represented but is implicit within the representation of Shiva. While there are several Dakshinamurti forms, three are prominent:

1. Yoga Dakshinamurti - Shiva as the idyllic Himalayan Yogi in meditation.
2. Jnana or Vyakhyana Dakshinamurti - Shiva as the divine Teacher under a banyan tree.
3. Vinadhara Dakshinamurti - Shiva as the divine Teacher of music and arts, holding a lute.
Of these three, the Yoga Dakshinamurti is perhaps the most represented and recognized form of Shiva, and the Vinadhara Dakshinamurti is rarely seen. In common usage, however, when one says Dakshinamurti, the image that comes to mind is that of Jnana or Vyakhyana Dakshinamurti, the idyllic Teacher. It is to this form that the rest of the article is dedicated.

Jnana/Vyakhyana Dakshinamurti
I contemplate, for the attainment of the highest end,
The Supreme Guru, the Lord of Bhavani,
The serene-faced Primal Being,
He who is spoken of in all the Vedas,

Whose hands shine with the symbol of wisdom,

With a book and fire and a serpent,
Bedecked with garlands of pearls,
And a crown blazing forth brilliant
,
With the digit of the moon,
Resides at the foot of a fig tree,

And removes the ignorance of all.

~ Dakshinamurti Upanishad the Krsna Yajurveda (Mantra 14)

The landscape of ancient India was dotted with numerous centers of Shiva worship. In that the region known as Tamilakam was no different. Within this region, two important and competing kingdoms flourished - the Cholan kingdom to the north and the Pandyan kingdom to the south. In the kingdom of the Cholas, in the city of Chidambaram, a magnificent universal form of Shiva called Nataraja was realized. Around the same time, in the city of Madurai, within the kingdom of the Pandyas, yet another magnificent form of Shiva called Dakshinamurti was realized. While in Madurai, Shiva sat in perfect stillness, in Chidambaram, Shiva stood in perpetual motion.

Like the ever-famous Nataraja, Dakshinamurti is a highly exalted and deeply mystical form of Shiva conveying Him as the Lord of Yoga and the embodiment of all knowledge - worldly and spiritual. In the Dakshinamurti icon we find the Lord in perfect stillness and perpetual serenity. He sits under the banyan tree, the tree of knowledge, facing southward. In His upper hands, He holds a drum representing the sound of creation and a flame representing the fire of dissolution. In one of His lower hands, He holds the holy Vedas, and the other is raised in jnana mudra, imparting knowledge upon the world. Under His foot is the Apasmara Purusha, the personification of ignorance.
Dakshinamurti is the great unseen Master, the eternal Teacher. It is from Him that the holy Vedas and the holy Agamas, and indeed all knowledge has flowed down through the ages and through the sages. He teaches without words and imparts without letters. He guides without speaking and blesses without blinking. His teachings are imparted upon all whose minds are pure and whose hearts are full of devotion. He impels especially those who are on the path of renunciation, those who have given up worldly life to realize Divinity within. He is the Ocean of compassion and Source of the stream of endless consciousness that flows through all.
In all traditions of Dharma, we have unbroken lineages of gurus and teachers. Each of these gurus was instructed and initiated by gurus before them, who were in turn instructed by their own gurus all the way back to remote antiquity. But who was the first Guru, the original source of knowledge? In theistic Dharma traditions, the Lord Himself is considered the Primal Guru, the Adi Guru; the Guru of all gurus; the Jagadguru, the universal Master; or Waheguru (to borrow a term from Sikhism). It is from the Lord that all knowledge descended down, later to be condensed into volumes of holy books. It is this principle that is embodied most perfectly and beautifully in the form of Dakshinamurti. He is the Bestower of all knowledge (jnana) and Origin of all explanations (vyakhyana). Such is the beauty and esotery of Lord Shiva-Dakshinamurti.

Legend of the Four Kumaras
In the beginning, it is said, the Creator, Prajapati-Brahmā, Himself was born from the supreme Unborn Divine Being, Ishvara, who is called Shiva in Shaivism. The Creator was the firstborn being, and the Golden Germ (Hiranyagarbha) of all further creation.
In the beginning of creation did Brahmā, having worshipped Shiva,
Attain the power to create and was delighted at heart.
~ Dakshinamurti Upanishad (Mantra 20)
Brahmā then began to create. His first creations were his four mind-born sons - Sanaka, Sanandana, Sanatana and Sanatkumara (Sanatsujata) - known collectively as the Kumaras. The four Kumaras were instructed to further create beings in this world, but the Kumaras were not interested in worldly life. Their only interest was the pursuit of the Divine. They did not obey their Father's command and instead sought a life of renunciation and meditation.

Seated at the foot of Shiva-Dakshinamurti are these four Kumaras, the founders of the path of renunciation followed by sages and sannyasis everywhere. Forever do the Kumaras look upon Lord Shiva-Dakshinamurti, the Supreme, the Eternal, the Unchanging, the Fountainhead of all knowledge. Esoterically, the four Kumaras represent the four components of the antahkarana ("inner organ") - manas (sensory mind), buddhi (intellect), ahamkara (ego) and chitta (mind stuff) - ever given to and focused on realizing the Divine Reality within.

Aum, Obeisances to Him who is the very meaning of Omkara,The Form of pure knowledge, who is serene and without flaw,
To Lord Dakshinamurti obeisances be.
~ Dakshinamurti Stotra, Dhyana Shloka 5

Aum Dakshinamurtaye Namah.

Agnideva © 2009. All rights reserved.
Vaishakha Shukla 1, 2066 V.S. (Yugabda 5111)

2000-yr-old Shiva shrine found

2000-yr-old Shiva shrine found
Shiva temple unearthed by a team from Lucknow University's ancient Indian history and archaeology department (TOI)
LUCKNOW: Believed to be among the oldest brick shrines in India, Lucknow University's department of ancient Indian history and archaeology has unearthed a 2,000-year-old Shiva temple as part of its excavation project recently in Uttar Pradesh's Unnao district.

''It's actually a complex comprising five temples,'' Prof D P Tewari of the Lucknow University said. ''While four temples belong to the Kushana period (1st-3rd century AD or 2,000 years ago), it appears that the primary temple was constructed during the Sunga period (2nd century BC to 1st century AD or 2,200 years ago).''

The temple site is a mound in Sanchankot in Unnao. The excavations have been going on since 2004, when UGC cleared the project for funding. ''A lot of things have come to fore since we began, but the temple complex has suddenly given impetus to our research,'' said Prof Tewari.

Spread across an area of 600 acres, the temple is made of baked bricks. In India, most of the brick temples were built in the Gupta period which existed in the fourth century AD. The temple's architecture is 'apsidal' (semi-circular or u-shaped) in nature.

The LU has many artifacts to conclude that Lord Shiva was worshipped in this temple. Prof Tewari said, ''A terracotta seal bearing the legend of 'Kaalanjar peeth' in Brahmi script was found from the site in Dec 2008.''

A shivling, trishul, nandi bull, and a river are inscribed over the seal. The legend of 'Kaalanjar peeth' is inscribed just below the river.


Read more: 2000-yr-old Shiva shrine found - The Times of India http://timesofindia.indiatimes.com/articleshow/4172761.cms#ixzz13oiqslPN

Shailvee Sharda, TNN, Feb 23, 2009, 03.27am IST

Ancient Shiva temple found in India

The Shiva temple unearthed by a team from Lucknow University's ancient Indian history and archaeology department.

A team of Indian archeologists has unearthed a 2,000-year-old Shiva temple complex in the Unnao district of Uttar Pradesh state.

The five-temple site was found during excavations conducted by Lucknow University's department of ancient Indian history and archaeology.

“While four temples belong to the Kushana period (2,000 years ago), it appears that the primary temple was constructed during the Sunga period (2,200 years ago),” said Professor D.P. Tewari of Lucknow University.

Spanning an area of 600 acres, the brick temple has been constructed in an 'apsidal' (semi-circular or u-shaped) form, the Times of India reported.

Archeologists also found a number of artifacts that they believe are evidence of the temple being used for the worship of the Hindu God, Lord Shiva.

Source: http://www.presstv.ir
Also see: Times of India article